As a Property Master, the best part about my role is being at the intersection of design and practical. Working collaboratively with all layers of creative, it is a unique challenge to create art that aligns with the Director's vision while practically serving the needs of filmmaking. It must meld with the tone of the show. It must feel authentic to the characters. It must compliment the world building. And it must work on cue every time. Show after show, it's my favorite aspect of what I do.​

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With experience across multiple genres (period, science fiction, thriller/horror...) and unique production needs (stunt weapon builds, heavy design and fabrication, realistic and dense graphics, high-end product acquisition, complicated food needs...), I bring a unique combination of flexible skills as well as a seasoned, well-functioning team.​

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Beyond work, I volunteer as an Editor of Prop Culture Magazine and a Producer of the MacGuffin Awards because I feel passionately about raising the craft standards of what a Property Master can bring to a show as well as celebrating our artistic achievements.